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ses is bad; there is certainly on the one hand adequate historical cause for this, and unmistakable evidence that no small number have, in spite of tremendous disadvantages, risen to the level of American civilization. And when, by proscription and prejudice, these same Negroes are classed with and treated like the lowest of their people, simply because they are Negroes, such a policy not only discourages thrift and intelligence among black men, but puts a direct premium on the very things you complain of,—inefficiency and crime. Draw lines of crime, of incompetency, of vice, as tightly and uncompromisingly as you will, for these things must be proscribed; but a color-line not only does not accomplish this purpose, but thwarts it.

In the face of two such arguments, the future of the South depends on the ability of the representatives of these opposing views to see and appreciate and sympathize with each other’s position,—for the Negro to realize more deeply than he does at present the need of uplifting the masses of his people, for the white people to realize more vividly than they have yet done the deadening and disastrous effect of a color-prejudice that classes Phillis Wheatley and Sam Hose in the same despised class.

It is not enough for the Negroes to declare that color-prejudice is the sole cause of their social condition, nor for the white South to reply that their social condition is the main cause of prejudice. They both act as reciprocal cause and effect, and a change in neither alone will bring the desired effect. Both must change, or neither can improve to any great extent. The Negro cannot stand the present reactionary tendencies and unreasoning drawing of the color-line indefinitely without discouragement and retrogression. And the condition of the Negro is ever the excuse for further discrimination. Only by a union of intelligence and sympathy across the color-line in this critical period of the Republic shall justice and right triumph,

“That mind and soul according well, May make one music as before, But vaster.”

X. Of the Faith of the Fathers

Dim face of Beauty haunting all the world, Fair face of Beauty all too fair to see, Where the lost stars adown the heavens are hurled,— There, there alone for thee May white peace be.

Beauty, sad face of Beauty, Mystery, Wonder, What are these dreams to foolish babbling men Who cry with little noises ’neath the thunder Of Ages ground to sand, To a little sand.

FIONA MACLEOD.

[Illustration]

It was out in the country, far from home, far from my foster home, on a dark Sunday night. The road wandered from our rambling log-house up the stony bed of a creek, past wheat and corn, until we could hear dimly across the fields a rhythmic cadence of song,—soft, thrilling, powerful, that swelled and died sorrowfully in our ears. I was a country schoolteacher then, fresh from the East, and had never seen a Southern Negro revival. To be sure, we in Berkshire were not perhaps as stiff and formal as they in Suffolk of olden time; yet we were very quiet and subdued, and I know not what would have happened those clear Sabbath mornings had some one punctuated the sermon with a wild scream, or interrupted the long prayer with a loud Amen! And so most striking to me, as I approached the village and the little plain church perched aloft, was the air of intense excitement that possessed that mass of black folk. A sort of suppressed terror hung in the air and seemed to seize us,—a pythian madness, a demoniac possession, that lent terrible reality to song and word. The black and massive form of the preacher swayed and quivered as the words crowded to his lips and flew at us in singular eloquence. The people moaned and fluttered, and then the gaunt-cheeked brown woman beside me suddenly leaped straight into the air and shrieked like a lost soul, while round about came wail and groan and outcry, and a scene of human passion such as I had never conceived before.

Those who have not thus witnessed the frenzy of a Negro revival in the untouched backwoods of the South can but dimly realize the religious feeling of the slave; as described, such scenes appear grotesque and funny, but as seen they are awful. Three things characterized this religion of the slave,—the Preacher, the Music, and the Frenzy. The Preacher is the most unique personality developed by the Negro on American soil. A leader, a politician, an orator, a “boss,” an intriguer, an idealist,—all these he is, and ever, too, the centre of a group of men, now twenty, now a thousand in number. The combination of a certain adroitness with deep-seated earnestness, of tact with consummate ability, gave him his preeminence, and helps him maintain it. The type, of course, varies according to time and place, from the West Indies in the sixteenth century to New England in the nineteenth, and from the Mississippi bottoms to cities like New Orleans or New York.

The Music of Negro religion is that plaintive rhythmic melody, with its touching minor cadences, which, despite caricature and defilement, still remains the most original and beautiful expression of human life and longing yet born on American soil. Sprung from the African forests, where its counterpart can still be heard, it was adapted, changed, and intensified by the tragic soul-life of the slave, until, under the stress of law and whip, it became the one true expression of a people’s sorrow, despair, and hope.

Finally the Frenzy of “Shouting,” when the Spirit of the Lord passed by, and, seizing the devotee, made him mad with supernatural joy, was the last essential of Negro religion and the one more devoutly believed in than all the rest. It varied in expression from the silent rapt countenance or the low murmur and moan to the mad abandon of physical fervor,—the stamping, shrieking, and shouting, the rushing to and fro and wild waving of arms, the weeping and laughing, the vision and the trance. All this is nothing new in the world, but old as religion, as Delphi and Endor. And so firm a hold did it have on the Negro, that many generations firmly believed that without this visible manifestation of the God there could be no true communion with the Invisible.

These were the characteristics of Negro religious life as developed up to the time of Emancipation. Since under the peculiar circumstances of the black man’s environment they were the one expression of his higher life, they are of deep interest to the student of his development, both socially and psychologically. Numerous are the attractive lines of inquiry that here group themselves. What did slavery mean to the African savage? What was his attitude toward the World and Life? What seemed to him good and evil,—God and Devil? Whither went his longings and strivings, and wherefore were his heart-burnings and disappointments? Answers to such questions can come only from a study of Negro religion as a development, through its